After a long Lenten season, Easter has arrived.
Last night I went to Easter Vigil mass at my local parish, St. Luke’s Catholic Church. It was a quadrilingual mass – English, Spanish, Portuguese, and Latin. The music was terrible, and the acoustics weren’t that great. It was also over-crowded, so we had to sit in the area behind the altar and thus couldn’t see most of what was going on. All of this is par for the course when going to Christmas or Easter masses at St. Luke’s.
And yes, the un-aesthetically-pleasing aspects of the mass bothered me, as they always do. (I would prefer to go to the Cistercian abbey across the street from UD, but no, my parents like going to the local parish…) But as this was all going on last night I started thinking about it, and realized something kind of interesting. That the mass was so poorly performed brought to the fore an aspect often overlooked – that it is a performance. And realizing this made me start to consider just what kind of a performance it is.
Now, the obvious comparison is of the performance of drama, and indeed, they say that plays originally grew out of the liturgy. But liturgy is radically different from drama, because in a play, the actors are engaged in a fiction, and the play fails if they fail to suspend our disbelief. The mass does not attempt to suspend our disbelief in a fiction; rather, it attempts to make real our belief in a theological truth. Thus, that the mass is a performance, in the context of liturgy, means something entirely different than if it were a drama. It is not a performance put on by the priests and altar servers and choir for the benefit of the congregation, trying to convince them of their belief; it is a performance put on by the priests and altar servers and choir on behalf of the congregation, enacting what they already believe.
I admit, all too often I have found myself disappointed that I have not been emotionally moved by the experience of going to mass, forgetting that this is not the point. The point is to affirm our belief and to participate in the holiest of sacraments. So long as we hear the readings, recite the Creed, celebrate the Eucharist, neither of these is made more difficult by the mass being poorly said or sung.
This is not to say that good music, good sermons, good architecture, etc, are not important; they are. But their goal is not to transport the congregation into mystical raptures, and they have not failed if they do not do so.